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Anamarina Avilés is a painter with thirty-seven years of work behind her: seven solo exhibitions and more than a hundred group shows across Central America and the United States. She has worked in painting, sculpture, printmaking and engraving; today she paints in acrylic, oil and watercolour, and mixes techniques in some pieces, including figures cut from wood. Her subject is the stories of women and girls with sweet, nostalgic gazes, surrounded by organic detail. Nature is always in the picture: leaves, flowers, butterflies, birds. She wants each work to carry a spiritual charge of hope and to give off, in strong colour, a positive energy. The aim is to make spaces that feel encouraging, with faith in the future. Her first solo show was at Galería de Arte Saravia in San Salvador in 1995. Since then she has shown at Museo Forma, the Centro Cultural de España, DIVA Art Gallery and the MARTE art competition in El Salvador, and in Guatemala, Honduras, Nicaragua and the United States, including the Mint Museum in Charlotte.

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Acompañe al Dr. Rafael Lara Martínez en una conversación sobre textos inéditos de Ricardo Aguilar en la Universidad Luterana Salvadoreña en San Salvador. Este evento académico ofrece una oportunidad única para explorar obras literarias poco conocidas en un ambiente universitario. La conversación se realizará el 26 de septiembre de 2026, de 9am a 11am en el Aula 14A. Universidad Luterana, camino de Los Planes de Renderos, Km 3.

Gilda Pontbriand is a painter based in Ottawa, Canada, whose art is rooted in the years she lived in Mexico — the time that, in her words, gave structure to her life and set the basis for her work. Moving fluidly between abstraction and figuration, she paints in oil, on silk, and in monoprint, and also works in photography. Color is her essential element: strong, confident drawing wrapped in an ethereal softness, compositions that stay simple and elegant while carrying a deep charge of feeling. For Pontbriand, painting is a constant search with a spiritual dimension — a movement between the mundane and a magical world. She organizes her work into series drawn from her environment, her dreams, and her inner world, inviting the viewer to read the emotion behind each piece rather than any literal scene. Her "Mirage" series — with works such as Ellarbol, Mujarbol, Nirvana, and Nenufemme — fuses the female figure with trees, water, and light into dreamlike, almost mythic images. Her broader body of work ranges from floral studies and Mayan glyphs to portraiture and pure abstraction.